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Short Stories

The Bread, the Harp, the Coil of Gold

“This is your test,” she says, and to my dismay, her voice carries the tinny echo of magic, a compelling power.

Not the usual conversation one has upon entering a magical psychologist’s office.

The knock on my door is so soft that I briefly doubt I’ve heard it.

I hesitate, pen poised. One blissful moment of silence later, the knock comes again.

I have no appointments scheduled on this Saturday, so this is likely to be interesting. “You may enter.”

The door opens to reveal a young woman evidently trying for the role of Austrian shepherdess. She carries a messily hand-woven basket in front of her messily hand-sewn dress, and her messy braids bounce on her chest as she strides forcefully toward me, cheeks flushed, eyes gleaming with some as-yet unknown challenge.

She does not smile.

Perhaps interesting is too optimistic a word. “Good morning,” I say.

The basket sounds heavy as it lands upon my desk, knocking askew the box of tissues. “This is your test,” she says, and to my dismay, her voice carries the tinny echo of magic, a compelling power, and I steel myself and what protections I have to withstand whatever is coming. “Bread of hearth, the home well-fed; harp to sing the child to bed; gold there is to shield thy head; go now, or by day, be dead.”

Not the usual conversation one has upon entering a magical psychologist’s office.

We stare at one another for a moment. I clear my throat. “You are aware, madam, that I am not an adventurer?”

“I am aware, doctor, that you are the descendant of Fafnir and the one I have chosen to do what must be done.”

Well, this is the first I’ve heard of that. “Pardon?”

“The harp, the bread, the coil of gold. You have until tomorrow, twenty-four hours from now, to take these to their owners. If you do not succeed, reality will shatter. Good day.” And she turns to go.

The web she has woven with her voice holds me down long enough that I cannot stop her before she reaches the door.

Naturally, I open the door immediately after she closed it, and naturally, she is gone.

Naturally, from the basket comes a soft, choking, duck-like cry from an infant she failed to mention.

This is most inconvenient.


I am not an adventurer.

I have some skills, of course, or I would hardly have survived long enough to enjoy this blissfully unaware century, but my talents lie in speech, in discernment, in a particular penchant for the many subtle ways people communicate without using words. My raison d’etre is to help those of magical descent hide and adapt as well as I have. It is no easy task, and more than enough adventure for me.

If the errant shepherdess expects me to fight a dragon or some such nonsense, she is bound to be disappointed.

How would I, I consider, tell one of my clients to handle this?

Step one: assess.

The infant, fortunately, seems healthy, and produces no odor, so I will ignore it for now.

The bread – a peasant loaf, perfectly brown, slightly shiny and scored with a careful precision – is remarkable only in that it seems fresh, and thus redolent of baked yeast. It seems mouthwateringly tempting, and therefore I dare not touch it with my bare skin.

The harp is inclined to play itself; it is also an older style, not large – a lap harp, perhaps, for a child. As it may be sentient, I leave it alone until I can test conversation and consent.

The coil of gold is something else entirely. Filaments of hair-fine gold weave into thicker and thicker strands to create a dangerously fascinating motif, an intricate ribbon that never ends but merely draws the eye further and further in, toward deeper and stranger patterns.

Well, this is obviously quite cursed. I lay a tissue over it to avoid distractions and consider my options.

The infant gurgles. It is Fey, long ears neatly folded against its skull to avoid the painful grab of infant fists, and is currently preoccupied with its feet.

“I do not suppose you are capable of speech?” I ask it. “Perhaps a duchess trapped in an unfortunate package, or some such trope?”

The infant ignores me entirely.

“Suit yourself,” I say.

Step two: alleviate risk.

Twenty-four hours, she said, to find their owners. Of course, reality will shatter is disturbing, but not likely to happen. That kind of warning comes standard with all magical geasa. The world will end, or your descendants will be cursed, or you’ll go blind, etcetera and so forth. I will not let that rattle me.

Frustratingly, I did not observe her long enough to know if she believed it herself. I did observe, however, that she seemed angry. Were I to guess on such brief and insufficient interaction, I would even say she was angry with me. As I have not met her previously, this smacks of an issue projected rather than earned.

Most inconvenient.

Fafnir, she claimed. This is blatant nonsense; Fafnir, who first appears in Ever-Dying mythology near the thirteenth century, was a dragon – and occasionally either a dwarf or dark elf, according to humans who fail to understand magical morphology – who slew his father for the sake of cursed gold, was subsequently slain himself, and whose heart was eaten by the hero who did it. Fafnir not only had no children, but my childhood took place in the early nineteenth century and thus safely circumvents her assumption.

Logically, therefore, she meant this for a dragon, or the mixed offspring of one. Logically, therefore, I must locate a dragon or dragon-Kin I can trust and offload this nonsense before the twenty-four hours have elapsed.

“There, you see?” I tell the infant. “All problems can be addressed rationally one step at a time.”

In response, the infant spits up.

Inconvenient.


My client has no phone, as far as I know, and thus I must make the journey on foot.

By which I mean via car. My little fuel-efficient vehicle is not designed for mountains, but it will have to do for this.

The Dallas Ever-Dying would be very surprised to find a mountain in the middle of their city. They can neither see it nor climb it; such spells surpass even those which keep the Fey hidden in western Europe, but I would expect no less from Xu Kai’s grandson. Justin is of the Jade lineage, and his grandfather is ruler of the People of the Sun, so it is safe to say he lives where he likes.

He also chose who he likes for his wife, which surprised anyone who had not met Ahaana Aishwarya.

Ahaana is, as she discovered, is dragon-Kin, a pleasing and powerful mixture. One of my favorite clients, truth be told, though I am not supposed to have favorites, Ahaana came to me as a furiously brilliant and terribly frightened young woman, surviving with power she could control but not identify, fearful of her skill with fire and the way she could call it by name.

Some people merely need to quantify things before they can enter into them fully, and Ahaana was one such. Once she knew what she was, she knew who she was, and she entered into the fiery and weird world of the Mythos without fear.

Justin took her last name when they wed. That was another surprise for the older guard. I’m quite proud of them both.

My engine sounds strained. Just a little longer, old thing.

The mansion that sits atop Dallas’ hidden peak is a wonder of fused styles, the clean white of marble with the delicately ornate sculpture of the Satavahana period; and fortunately for me, there is a simple half-moon drive in front of the door so that I can safely park.

I do not bother to lock my door.

Ahaana answers at first knock, and she is furious.

She has also been crying. She is also very pregnant.

My internal struggle is brief but bitter; clearly, there is need here. I have my own needs which brought me to her door, yet I cannot simply dive into my request and present my problems when she is visibly distraught.

Damn it.

“Ahaana,” I say, leaning in, but not unwise enough to touch – dragons do not respond well to that. “Are you all right?”

“Ranier?” she says, staring, then turns. “Justin!”

He appears behind her with the slight pop of displaced air. “Dr. Blood?”

“It appears my timing is perhaps unfortunate?” I say delicately, giving them an out.

“No, you…” She stares again, looks over her shoulder at him, then back at me. “It can’t be you.”

I raise one eyebrow and wait. Silence is, and always will be, the greatest weapon of the therapist.

“What’s in the basket?” she says.

“A difficulty which I had not intended to add to any burden,” I say.

“Show us,” commands Justin, more than a little of the dragon in him seeping through, blazing through his almond eyes, somehow trembling the air around his slight form to hint at the gigantic thing he may become.

So naturally, I do.

They stare. Then they look at me. “Fafnir’s get?” says Justin.

Not again. “Fafnir’s – ah. There seems to be some misunderstanding – “

“In. Now, in!” commands Ahaana, and though she is only part dragon – and precisely which line, no one knows – her power and will wash his clean like turpentine over paint.

“Yes, of course,” I say as though I were being thoughtless, and I step inside.


Her baby is unwelcome among the old guard.

Prejudice exists all the worlds over, among all the Peoples, and it seems Justin’s grandfather came to visit them moments before I arrived with dire words of warning.

“You just missed him,” said Justin, handing me milk for my tea. “He was on his way here already. He wanted us to know…” He sighs. “He wanted to warn us that no one would be coming. I mean…”

I nod my understanding. Children are rare among the dragon races, and normally celebrated communally. “Foolish.”

“Motherfuckers,” Ahaana snarls, her hands protectively over her belly.

Her child may not be very dragon, if it is fetus and not egg, but I do not ask. That is hardly my business.

“Not from my family,” Justin said, giving her a quick look. “My grandfather already gave his blessing. But he said something so strange. He’d had a vision. And there were voices – “

You’re having an adventure, whispers some sing-song masochistic demon from my subconscious. “Let me guess,” I say, as neutral as possible. “The words were, ‘Bread of hearth, the home well-fed; harp to sing the child to bed; gold there is to shield thy head; go now, or by day, be dead.'”

They stare at me again.

“How did you… He said the son of Fafnir would be coming to balance the injustice, whatever that means,” says Justin.

“Never in a million years would I think that was you,” says Ahaana, bouncing the just-fed Fey infant on her shoulder. “No offense, doctor.”

“None taken. I am not the son of Fafnir.”

“Then why are you here?”

“Please forgive my frankness during such a trying time – I am in trouble. You see, I have this basket and a time-crunch. The bread, the harp, and the coil of gold are all likely cursed, and the child was not even in the rhyme.”

“She.”

“She was not even in the rhyme,” I say, dutifully. “I don’t suppose your father said anything else that I might find helpful?”

They look at one another. She nods.

“Yes,” says Justin, and he holds up a map.

Now comes one of those mad moments we must tolerate as the cost for drifting in magic’s wake: in a situation such as this, one must not accept gifts or give them, but one must trade.

I do not know why. For most of these rules, I have never divined the reason.

Obviously, given this entire heavy-handed set-up, I am intended to trade something in the basket. I should take this moment to mention that we sit before a blazing hearth.

I look into the basket and back, considering, cautious; I do not want to harm them. Is the bread too obvious? “Please forgive me if anything negative comes from this, for I bear no ill intent,” I say, and reach into the basket.

It is amazing to touch, this bread.

Still warm, just crusty enough to highlight internal softness, it wafts incredible smell into the room as I lift it from the basket, and for one moment, I want to keep it.

Nonsense. With my own hand, I offer it, and we exchange bread for map.

This map is simple, old, a crinkly and faded thing left over from the days before smartphones, and it displays Arizona with a hastily drawn X north of Phoenix.

I am in Texas. This will not be a quick journey. My last hope of handing this mess off evaporates with a weak and pitiful wheeze. “I see I am to go to the desert,” I say.

“Oh, thank you,” says Ahaana, and her voice is choked. I look up.

“I can get you there quickly,” says Justin, staring at the bread. The two of them seem entranced by it.

I hope I have not just cursed my favorite client. “I would appreciate that help.”

“This is important,” says Justin, hesitates, looks at his wife, then at me. “The gift of bread before a birth is a momentous thing. It means fortune, plenty, and a happy home – if it comes from another dragon. You don’t know – you’ve blessed us. Nobody else is coming. This is important.”

I am not a dragon, but I believe reminding them at this juncture would be cruel. “May it bring you those things and more.”

They lean into each other, both of them holding the loaf now as though ready to break it with great ceremony.

Clearly, my client and her beloved are deeply moved. I would normally stay and walk through this with them – it is my job – but I do not have time. “Justin – I’m sorry to interrupt, but….”

Justin blinks at me for a moment. “Of course. Let me see the map again.”

He studies it.

He nods.

He raises his left hand, and his eyes change, and his skin shadows green and mottled, and above that hand the air slices sideways and smoke pours through. The line slides smoothly down like shades, flooding this comfortably dark, hearth-lit room with sudden sun.

The Fey child cries on Ahaana’s shoulder.

“There you go,” says Justin as though none of this were spectacular, and I cannot help wondering how much we have come to take for granted in this wondrous world.

“Thank you. I fear I must take the child with me.”

“Of course.” Ahaana hands her over, but before I can turn to go, she grips my arm – the first time she has ever touched me, and it is startling. “Be careful.”

“I do not know any other way to be,” I say.

She sighs and lets me go, turning back to her husband and the bread, for I no longer matter, and that is quite all right.

Unhappy baby nestled back in the basket with the harp and the gold, I step through the impossible door.


The brilliance of sun on sand makes my first steps blind.

I am not certain how precise that map was, but at least I did not waltz onto a busy highway or into true wilderness.

It is desert, most certainly, but the civilized kind; I see shops in the distance, not too far to reach in a desperate moment, for all they appear wavy in the heat of this day. Ahead of me are some rocks I suppose would be mountains in this region; vaguely, I recall some similar lump is called Camelback Mountain, though I do not believe I am that far east.

Behind me is the last thing I expected, especially on a bright and sunny day: Vampires.

The four of them freeze at my understandably surprising appearance, two faces I know and two I do not, one I have counseled in the past and one I would not be alone with in a room for all the money in the world.

“Doctor, thank you for coming,” says Jonathan, with whom I have spoken at great length, and who stands trembling in the hot sun, his normally tawny skin gone pale. Beside him friend another vampire, an over-average tall Asian Night Child in a suit whose katana seems quite at odds with his Savile Row.

Facing them is the Blood Queen.

She is shorter than I expected, but that changes nothing. Her pose – crouched as if to spring, fingers curved, fangs out – shocks against her neat pants suit and tightly bound hair, and some absurd part of my mind wonders if her kitten heels would survive the force of her lunge. Beside her is an actual child – a Night Child as well, yet also a boy of approximately twelve, similarly staged for violence, and bleeding from his mouth as though he’d already had a go.

They all stare at me.

“Jonathan,” I greet him, because what else is one to do? “Was I expected?”

“Yes.” And his relief is so obvious, so clear, that one need not be trained in reading people to see it.

“What is this?” says the Blood Queen, her speech flawless in spite of her intimidating teeth. “Who are you?”

I could lie, but that would inevitably backfire. It always does in these situations. “Dr. Ranier Blood, madam.” I bow slightly from the waist. “Pardon me, but I was not expecting to find anyone here.”

“And what were you expecting, then?” demands the child in an accent I have not heard in so long that it takes me a moment to place it. It is positively Dickensian.

“Certainly not this.” The baby, I am pleased, has gone quiet. I know they know it – she – is there, but the less attention she draws to herself among predators, the better. “As unlikely as it sounds, someone else’s vision sent me to this spot.”

“Someone else?” the Blood Queen eyes Jonathan, then me again.

She knows of his skill, but I do not know if the others do. I will pretend I do not, for his sake. “Yes. I’ve had rather a complicated day.”

“It’s about to get more complicated,” says the child, and lunges at me.

There is that moment – that terrible, breathless moment when everything tips on the edge of a knife, when, were this a human movie, the film would slow down so every movement could be dramatized, every leap or lunch or grasp, when in reality there simply is no time to move at all.

The harp interrupts it.

It plinks, all of a sudden and by itself, and then lifts in a merrily cheerful tune, lovely in spite of the muffling effect of the basket and child.

Now, everyone stares at the basket, and it occurs to me that apart from Jonathan, they’d paid it no mind before that. Of course they didn’t; Night Children are immune to most things that could harm me, and so would disregard its presence.

“It can’t be,” whispers the boy, who has stopped a mere two feet from me, well within killing distance, for he had already crossed the space between us in the plink of a harp string.

The Blood Queen straightens, finally abandoning her crouched posture – not that it matters to the safety of anyone in proximity. “I suddenly suspect you are the reason my child asked us to meet in such a god-forsaken place. I don’t suppose you have a reason, as well?”

She means Jonathan, with his unique skill for prognostication, but that is not my concern. My heart is frenetically announcing to me that I nearly died before my adrenal gland even had the chance to respond to danger.

I swallow around my fear. “I’m afraid not. An adventure fell into my lap this morning, and as of yet, I have been unable to rid myself of it.”

“That’s mine,” whispers the boy. “I’m sure of it. I’m sure! Where did you blag it from?” he snarls, and takes a step toward me.

Perhaps my greatest accomplishment to date is I do not take a step back. I stand my ground, giving him one stern, raised eyebrow.

He stops again.

“Elijah,” warns the Blood Queen.

The boy bares his teeth at me. “Give it back!”

“Dr. Blood,” says the Blood Queen. “It seems you have something that belongs to my child.”

“I can neither verify nor deny this,” I say, and – willing my hand not to tremble – I lift the harp from the basket.

It vibrates through my hand and up my arm, pleasing, delightful, like the administration of a drug, but I dare not hesitate to experience it more. I hold it out, and he snatches it quickly enough that my fingers burn, friction-kissed. Then, goblin-like, he hunches back to the Blood Queen to stand behind her, wrapped around that harp as though it plays his heart.

“I told you,” speaks the Asian man I do not know. His voice is terrible, raspish and ruined. “I told you I no longer had it.”

I believe the boy just sobbed, but I cannot be sure.

Jonathan looks exhausted. “We can go now,” he says.

You will go when I dismiss you,” says the Blood Queen with such venom that my poor heart returns to my throat.

Jonathan looks her in the eye with a courage I never would have believed of him, ever. “We are free to go, Ravena, but you are not. You need something else from this good man, and you will take it. Farewell.” He grips the other man and they both vanish in a whirl of dust.

We remaining three stare where they stood, and then at each other.

The Blood Queen studies me. I feel like an interesting lizard, perhaps under glass and pinned. “Will you flee, too, before our conversation has properly finished?” she says so sweetly, her will pressing against the dome of my mind, searching for an entrance.

She will find one in time. No one is immune to such strength of will.

“As I am uncertain what the current conversation is,” I say, “I am hardly qualified to end it.”

She smiles.

I dislike it. It brands my mind; it will appear behind my eyelids when I least wish, I know, and I dislike anything out of my control within my own head.

The Blood Queen glances back at the boy, who has sat down in the hot sand, cradling his harp. It still sings for him, sweetly, almost motherly.

“A rare gift, that,” she says, turning back to me. “Once upon a time, dead spirits spoke to him through that harp. I thought his skill would transfer after death, but alas, it did not. Only his mother speaks to him since he was made mine, no other spirits bother.”

You are in danger! clangs my subconscious warning system. I lift my chin. “This strikes me as the type of thing one tells a person whom one does not intend to release.”

She laughs, and it marks me as well, cracks my fortitude, sends shards of glass twinkling down and temporarily blinding my thoughts. Her beauty is daggers.

The boy murmurs to the harp, which plays in response to him, and he wets it and the sand with his tears, but we both ignore him.

Steady, Ranier. I steel myself again.

“He called you ‘good,'” she says, tilting her head. “Jonathan has called no one good in my hearing, ever.”

“Perhaps Jonathan said that in order to redirect your attention to me and effect his escape.”

“Clever. Possibly he did, though he is hardly the type to hang another on his gallows,” she says. “You have pleased me with mild distraction and solved the minor conflict between my children. You have also returned to my child an object I took great care to remove from him. What do you make of that, Dr. Blood?”

I may be fucked, is what I make of it, but I continue to breathe evenly, to keep my gaze firmly away from her eyes but toward her face, to keep my shoulders relaxed. “I’d say I have been set up. I don’t suppose you know of a young Caucasian woman who prefers homespun shepherd-dress and delivers unwanted baskets to the unwary by day?”

She laughs again, and this time, she does not stop smiling, but that smile has touched her eyes (look away, Ranier, look away), and she claps girishly. “Bertha chose you? But that shouldn’t have happened.”

“The shepherdess’ name is Bertha?”

She waves her hand. “Bertha. Mother Hulda. Die Weisse Frau. She has many names, but more to the point, she has little reason to confuse such a crucial point of identity.” The Blood Queen sniffs delicately, assumedly detecting me between ample samples of scorpion stench and long-dead civilizations. “Your scent is unusual. Yet you do not seem to be of dragon descent.”

“That is because I am not.”

“Oh, I think you must be,” says the Blood Queen. “I asked her not to hand that harp to anyone else.”

The boy gasps and stares up at her.

So thought Jonathan’s companion had it. I begin to see the source of tension between them.

The Blood Queen smiles. “Regardless, I have been robbed of my planned afternoon. Perhaps you’ll make do with a fascinating mystery. So, Dr. Blood, most conveniently named, before I take you, is there anything else you’d like to tell me about your most unusual day?”

I cannot fight my prey instinct, my fear-response, my racing heart or my rising temperature. I cannot fight her desire, her unmeasurable pressure and unavoidable seduction, her long-documented ability to make stronger people than I kneel at her feet and beg.

I can choose how to respond until I break.

“She gave me one further thing,” I say, my voice tight.

“The Fey infant. What do you think, Elijah? Would you like a chew toy?”

“No, the infant seems to have hitched a ride,” I say, trying to making a joke, and reach into the basket.

The moment I touch the gold, I know it is a mistake.

I should have used a handkerchief. I should have used my sleeve. I should have taken out the child then hurled the basket’s contents at the Queen like a cartoonish attempt to extinguish fire.

The coil of gold shivers power like electricity up my arm and clenches my hand upon it, leaving me unable to let it go, unwilling to give it away, but I raise my arm anyway, gritting my teeth, holding it out because if I do nothing, Ravena will kill the infant because it is her way with living things, as if they only have the right to exist when they please her, and this gold (though I want to keep it with all my heart) is my only chance to save the child.

The coil of gold catches the sunlight and casts it back ten-fold.

And the Blood Queen, ancient and terrible perfection, gasps. “Where… She gave you that?”

“I do not know what it is,” I try to say, though the words do not form properly with my mouth pulled back in a rictus. “Take it. In trade for life.”

She rips it from my fingers.

The loss hurts.

Hurts so much that I have fallen to my knees, though I do not remember doing so, and clutched the basket high in one arm to keep its occupant from being crushed. My other hand will not obey me.

Elijah the child stares at his maker, and so do I.

“It was lost,” she says, but not to me, not to anyone here, and – I cannot be seeing this correctly. Her eyes have filled. “It was lost and gone forever, sunk with the ancient lands, gone between the cracks of the world.” She looks at me again.

And I can see the young woman she was once, see the wide-eyed soul who once dwelled there, but the moment passes too soon.

“She knew I would spare you for this,” she says, low and angry. “Though why she should help his get, I do not know.”

It seems safest to say nothing. I am still on my knees; I am still painfully erect; I am still clutching the basket, hoping the baby’s fair skin does not burn; I am still in pain, and my fingers are swelling.

“Elijah. Up. We’re leaving,” she says, and looks at me again. “This will not be our last interaction, dear Dr. Blood. You’re interesting. Be flattered.”

“I am neither interesting nor flattered,” I manage, my breath returning along with rising pain. I believe she’s broken my hand. “This is a case of mistaken identity.”

She clutches the coil of gold and looks at it the way Elijah looks at his harp. “Clearly, others do not think so,” she says, and vanishes in a whirl of ash.

The boy curls around his harp a moment more. “She’ll take it again. Or break it. She lied. She said Seishirou still had it, but she lied.”

Long years of practice enable me to engage, in spite of distraction. “Does she often lie to you?”

He can’t answer that, which is answer enough. “You like kids.”

“An assumption based upon very little.”

“Take it for me. Please. I’ll owe you.”

He has grieved his maker’s betrayal very quickly, and has already reached denial. I must be cautious. “She may take that poorly.”

“She won’t give a damn as long as I hurry back. Please.”

Oh, I wish I could.

He is such a small and bloodthirsty creature, rendered vulnerable by a possibly haunted object, and I want to see more. I want him to talk to me, to reveal his weary secrets.

No.

This thing belongs with him, and I cannot escape the suspicion that his maker lurks here, watching. He may be truly desperate, but this is still a trap. “I believe she will be more likely to break it if I take it, as it will seem a thing you are hiding from her.”

He hunches, head down, defeat compressing him even smaller. “Yeah.”

His misery is a palpable thing, old and weighty and scarred. Trap or no, I must offer some hope. “She may let it stand,” I say. “It seems she’d already promised it back to you, yes? She seems to blame me for its return, not you – perhaps enough to leave you be if you are very well-behaved and draw no attention to yourself.”

He stares at me in awe.

I wait.

“You’re crazy,” he says.

“Perhaps. I speak only from observation.”

“Perhaps, nothing. You’re crackers, but maybe you’re on to something. Maybe she will blame you. She likes ’em smart and crazy.”

I would not have used smart to describe any of this, but I am already committed. “There is only one way to find out.”

He looks at the harp, at its possible occupant, and sniffles. “Yeah.” And he leaves, gone to dust, abandoning me in the heat of the day in the Arizona desert, carrying an infant Fey in a basket and trying to step carefully because every jolt makes my hand feel worse.

There is a most unpleasant throbbing in my swollen fingers.

Those stores seem much further away than they did before. Is my adventure even over? What on earth did I accomplish?

That shepherdess… Was I even necessary for this task? The bread, the harp, the coil of gold – all have been distributed. Yet why did she pick me? Even if I were Fafnir’s “get” (patently absurd), it should have made no difference in the –

“You have her? You have her!” And the basket is torn from my good hand, this time fortunately breaking nothing but my balance.

A young feyor kneels beside me, sobbing into the basket, and the infant, recognizing him, giggles and reaches for his honey-brown hair.

Am I hallucinating? I think not. “Goodfellow?”

“You saved her. I can’t believe… you got her back,” he says, voice rough with possibly real emotion, though with Goodfellow, I can never tell.

Sweat trickles down my back. My hand throbs. I am done with this. “Goodfellow, as loathe as I am to do this, I must ask for help.” One does not casually ask a favor of Robin Goodfellow, but pain and fading adrenaline have impaired my judgment.

“Yeah, sure, whatever,” he says, and does not even ask for anything in return.

This is the strangest event of the whole blasted day.


The Blood Queen broke my hand in four places. Three fingers were dislocated as well as fractured. If not for magical healing, I would be in need of multiple surgeries.

As it is, I sit at my wonderful desk with my hand between the petals of an enormous lily, relaxing as pain ekes from my arm.

Robin Goodfellow sits across from me, cradling his child. “Did the mean Dr. Blood take you all over the country? Yes, he did, yes, he did, oogy-boogy,” Goodfellow coos, his long ears relaxed and forward.

He has maintained this paternal behavior so long that I almost assume it is real. He has not requested anything of me in return, either. Perhaps I am off the hook.

That would be a first.

“I did not take her all over the country,” I say.

“Yes, yes, he did, so daddy couldn’t find her,” he says.

“Hardly. The blame falls with some pastoral goddess named Bertha.”

“Mother Hulda.” He takes a deep breath and sits up, meeting my eyes.

Robin Goodfellow is one of the only people on this planet capable of getting under my skin. His control of expression, posture, and tone rival mine.

I cannot easily trust anything my eyes tell me here. “Who is Mother Hulda?”

“She’s old. Real old. She cares for infants who died.”

A psychopomp. This complicates things.

“My good sir, she brought your child to me. I think I am owed an explanation.”

Goodfellow smiles tightly, kisses his daughter on the forehead, then nods. “My baby girl died. Okay? She died. I won’t talk more about that.”

It’s more personal than anything he’s ever told me. I dare not break that spell with speech. I nod.

“I begged her to return my daughter. Mother Hulda. Percht, from the Alps. She catches the souls of dead infants, right? Catches them. I begged her to give her back. She wasn’t supposed to have died.”

I say nothing.

He settles the girl in his arms. “Don’t give me that look. Infants die all the time, but not this one. Fuck you. Anyway. I asked her, and she said yes because she owed me a favor.”

A favor from any psychopomp is tricky business. “That must have been some favor.”

“It was. When Fafnir got himself killed by Sigurd, I stole his egg and hid it safely away so the swashbuckling hero couldn’t eat its heart, too.”

“Fascinating as that is, what does this have to do with Mother Hulda?”

“Fafnir got one of her daughters pregnant, and they damn near killed each other over it centuries ago,” he says as if this should be common knowledge. “When old Faf went mad and murdered his father, he also killed the daughter rather than let her leave him. It was their egg. Mother Huld’s grand-yolk, if you will.”

Funny.

I rub my forehead with my good hand. Tonight will be an evening of candle-lit bath and too much wine and possibly a rescheduling of tomorrow’s early appointments. Possibly. “Finer details aside, this lovely soap opera – conveniently missing from the Volsunga Saga, I must mention – does little to explain today’s events.”

A brief glimpse of dark and keen intelligence, a shrug, his plaid dinner jacket rising and coming dangerously close to to his matching feather-topped trilby. He points at me; his fingernails are painted green. “You really don’t get it, do you? Today was your testing ground, buddy. You know how gods work. Your whole life doesn’t matter. It all comes down to one stupid moment when they’re paying attention, and today was your moment.”

Do I have the patience for this explanation? “Goodfellow.” I must persist or this may happen again. “She was mistaken. I am not a dragon. I was not hatched.”

“Like you’d remember. The orphanage I stuck you in didn’t keep the shell like I asked.”

My throat tightens. “Excuse me?”

He says nothing now, and raises one eyebrow in perfect mimicry of my own.

“Are you actually trying to tell me I was in the egg you stole?”

“You were.”

The sound I make denies all things. “I was found, not placed. The orphanage found me in the streets, abandoned and crying. Surely someone would have told me if I’d been in an egg.” Unless he bewitched them. Damn it. “Why would you do something like that, anyway?”

He shrugs. “I thought it was funny.”

That, at least, fits his character.

I cannot accept this. I know I am in denial, know that I am being as unreasonable as the worst of my clients, but I cannot seem to stop. “This is nonsense!”

Perhaps his patience is strained, as well. Suddenly, I face the Hob, the Puck, the dark-grimaced trickster of unknown age who’s scampered and scammed his way through many worlds and many years. He gives me no smile now, though he shows his teeth, and there is so much anger under his skin that I believe if I touched him, I’d burn. “Are you stupid?” he says. “You think it isn’t true? Why do you think all your precious clients come to you? Eh? Why? Why do you think they trust you to probe their deepest secrets, which are treasures? Why do you think they stay close to you after, eh? Why?”

He is clearly ranting, so I do not bother with the rational answer of education, experience, and availability, not to mention compassion.

Goodfellow points at me again. “They come because you have a psychopomp’s blood in you, which makes them feel safe. You keep them because you have dragon blood in you, and people are your treasure never meant to leave. But more than that: your damned father died when greed took him over, making him kill everyone he once loved. I saved you, but Mother Hulda didn’t know who you really were, not yet. Your choices told her that today, same as they’ve told me.”

If we both start ranting, this time will be wasted. I keep my tone querying and professional. “And who, may I ask, do you believe I am?”

“A cold son of a bitch who has more self-control than either of his parents and willingly handed over precious treasures for the good of others instead of himself. You’re annoying and condescending, but you’re not your dear old dad. If you passed the bread to the needy and the harp to its owner – which it sounds like it was scheduled to happen today, regardless – then she made sure the Blood Queen wouldn’t kill you by including that funky gold. And she made sure the dragon community knows you exist now. She got you a family, dumbass.”

I sigh, a careful time filler, and try to think how to respond. My hand is nearly healed; the plant – a pain lily – suckles gently, drawing more misery into itself and healing the source of anguish. “Goodfellow, this… is highly unlikely.”

“But it’s true.”

“Those magical objects were not the test you think. They were interesting enough, but hardly mind-altering.”

“They would’ve been for Fafnir.”

“Goodfellow – “

“Stop. Just stop.” A flash of dark fire in his eyes, a peek at the danger that lurks inside, and then it is gone, and he coos to the baby once more. “Dr. Blood is an idiot, yes he is, oh yes he is.”

I shake my head. “Even if any of this were true, how does it involve giving your resurrected infant to me in the middle of whatever test this was?”

He shrugs and seems, for the moment, chagrined. “Mother Hulda didn’t find my little joke funny. I pissed her off by handing you to the Ever-Dying to raise. She saw today as fair, as only just deserts: if you turned out to be a good guy in spite of what I did, my baby would be safe. If not, then losing her again would be on me.”

And this is one of many reasons I do not deal with deities. “That seems unnecessarily cruel to you both.”

He cradles his child. “Whatever. Your debt to me is repaid, far as I’m concerned.” He stands.

Does he mean returning me here and providing medical aid? Talk of a dragon’s egg at my human orphanage is nonsense. Isn’t it?

Time for misdirection. “Will your daughter be all right?”

“She was snatched. But yeah, she’ll be fine, especially when I go kill some bastards,” he says. “Daddy’s gonna go kill the bad guys for snatching her, isn’t he? Yes he is, Emmy, yes, he is.” Still cooing, he walks out the door, his Birkenstocks silent, his menace trailing him like a cloud on a leash.

And then my office is silent but for the soft suckling of the pain lily doing its job.

It feels empty. I will admit that to myself, even as I analyze my fierce denial.

Goodfellow could have been telling the truth. He could just as easily have been lying.

I could chase down this Mother Hulda, but I have no desire to tangle with deities, and this one apparently carries her grudges for generations.

Justin and Ahaana’s gratitude for the bread would certainly make more sense if this were true.

The Blood Queen’s interest would also make sense; psychopomp blood is very rare. Of course, being Kin, I could not be made into a Night Child, but she could still keep me against my will.

I will have to solve that impossible problem sooner rather than later. I do not think she was bluffing.

I study my good hand, which is pasty-white as any Caucasian male’s who spends his time indoors, and it is not particularly strong or interesting, though one knuckle is slightly larger where I clutch my pen as I write.

Why do I need to deny this so strongly? Is it because my identity is threatened, my earned skills perhaps ignored for the sake of inborn power?

Is it because I wish no further adventures to follow me, or because I am insulted it has taken this long for one to come my way?

I cannot answer these things tonight.

The lily finishes and straightens, white petals gone a lovely veined pink, and lets out a contented sigh.

“Thank you,” I say to it, not that it can hear – it is a plant, after all – and pack up to go home.

Perhaps I will take tomorrow off, after all.

By Ruthanne Reid

Ruthanne Reid is one of those pesky fanfiction authors who made good, and thus eschews most labels. Except for being a Generation X-er (or maybe Xennial, according to some guy’s webpage), a musician who loves music but also carries a ton of baggage about it, a self-taught graphic artist who designs her own covers, a spoonie who wrestles Fibromyalgia not unlike yon Hercules and the Nemean lion, a Christian who hesitates to use the word because too many of them are crazy but Jesus is pretty great, a rabid shipper who’s too smart to lay out precisely which ships because of the wars, and an avid reader when she isn’t busy caretaking for some pretty ill folks.

You know. Unlabelable.

Currently a resident of Long Island City and a loving mommy to one current cat and numerous future ones, Ruthanne is happily married to a fellow geek who loves good stories and great games as much as she does. Between the two of them, they own a lot of things that need to be plugged in.

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